Sunday, January 27, 2008

Another Black Man Shot Down: HE WAS AN OFFICER FOR HEAVEN's SAKE!


WAKE UP!

Black Officer Shot: I guess it doesn’t Matter Which Side of the Badge you’re on.

Here we go again. Attached is a letter I found written to our illustrious police department; “Attention: Black Policemen.”

To my niggas:

White cops always fuckin’ widdus around my way. Er’time I wanna chill in front the spot, cops be harassing us n’ shit. “You niggas can’t sit in front the store.” “Let me see yo’ hands.” “Did you hear those gunshots?” Man, I ain’t heard shit. Why they always fuckin widdus?

I think I know why, though. It’s ‘cuz we Black. White man never wanna see us do good. Even when we doin’ good, they look for reasons to shoot at us. My mans-n-them Sean, they shot him and he wasn’t even doin shit. Homie was bout to get married the next day n’ shit. Shot. Cold.

But yo, check this out; we gotta infiltrate this system. Yeah mufucka, infiltrate. I know what dat shit mean. Like on some, Mission Impossible shit. Hop out a plane, in a garbage-man suit, pose as a white man and be a cop. Little do they know, they lettin’ in a real nigga!

See, they won’t fuck wit a nigga if they know he a Cop too. That blue means more than us being black. Haha, not, the Crips mah nigga. Shit, they niggas too. The badge I’m talking about.

So yo, I ain’t gonna keep you. I just wanted to let y’all know that I know how to avoid the racism and shit. Cops don’t kill other cops.

Peace yo,

One Love

(PS- This is an old letter…)

On Friday, Christopher Ridley, an off-duty police officer was shot to death by other police officers. He was driving by and saw a fight in the middle of a Westchester block between homeless men.

He stepped in to break up the fight and was knocked to the ground. His gun was dislodged from the waistband in which the firearm was tucked. After breaking up the altercation, he was surrounded by policemen. Still dazed from the fight, he was ordered to put the weapon down. The homeless couple, interviewed by The New York Times says, “Ridley was still pretty dazed and confused so hearing the orders was unlikely.”

What happens next? BLAM BLAM BLAM BLAM BLAM BLAM!!! Six cops emptied shots into one of our African-American Police Officers. Reverend Al Al Sharpton says the cops now call it “a friendly fire…” A friendly-fucking-fire?!?? Why does this NEVER happen to white officers? Shit, to white people period!

Why are there never any white Abner Louima cases? White Rodney King cases? White Sean Bell cases? Where are those cops that shot these people? That sodomized our African-American men? I guess the same thing that happened to those that organized the slave ships; Stole Native customs and traditions; Orchestrated the build of this country on our backs, literally… They give them holidays.

Wake up, people. Wake up.

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Thursday, January 17, 2008

Present Day Marvin Gaye: The Love is Real


Words- Kenji Summers

Not since D’Angelo’s Voodoo album has a soul artist had such anticipation for their debut follow up album. Raheem Devaughn has captivated audiences around the U.S. while maintaining his roots in the DMV (D.C./Maryland/Virginia) area. His live performances have made him a fixture amongst soul music enthusiasts of every generation. Ladies love him and fellas respect him for his authenticity and ability. Raheem has even been said to remind fans of an R&B martyr by the name of Marvin Gaye. With large shoes to fill, the self-proclaimed "R&B Hippie Neo-Soul Rock Star" has started a movement of musical art that is sure to be emulated in the future. Raheem agrees, “My music is very much R&B, but it’s also very much neo-soul, and also a splash of rock star, you know? It’s about just really tying it all together and bringing attention to the lane that I’ve created.” From the portraits that are painted by artist, Demont Peekaso (www.demontpeekaso.com) during live shows, to the fresh urban boutique gear, to the string of vastly popular mixtape albums that helped Raheem get signed to a major label, Mr. Devaughn is blazing a new trail in soul music. Now with the follow up album Love Behind the Melody, Raheem is set to enter the mainstream conscious of music fans in the manner that Marvin, Stevie, Maxwell, and D’Angelo did in the past. Raheem comments, “Everyday there's somebody new who finds out about the music via word of mouth, MySpace, Youtube, coming to a show, or whatever.” Let this article be your whatever, and before delving into the new album let us examine what makes Raheem Devaughn such as rare gem in such an oversaturated music industry.

Hometown Hero

Raheem is a native of Prince George’s County, Maryland as well as Washington DC; which he admits groomed and prepared him for the national spotlight. Raheem won multiple awards and shows in the DC metro area while releasing an array of independent music compilations. While the DMV may not be as notable as New York and Philadelphia in terms of industry recognition, plenty of artists are creating dynamic music and furthering the soul music genre. Raheem asserts, "I think DC is just on the rise as a whole, with me kind of being the spearhead of it with the success of my underground movement, and crossing over to a mainstream movement.” Raheem Devaughn hopes that the success of his second major label album will open up the flood gates for other talented artists that have paid their dues in the DC area. Raheem adds “You got artists like W. Ellington Felton, Bilal Salaam, One Way, Tabi Boney, King Pin Slim, Wale, just to name a few. And there are also some mainstream cats. For me personally, if you’re an artist coming out of DC, and you ain’t done the real DC grind through the street, you’re on thin ice, artistically.” Authenticity and passion drive the music of Raheem Devaughn and expect the next crop of successful artists out of DC to fit a similar mold.

Show Stopper

If you have never been to a Raheem Devaughn concert you are missing out on a high energy masterpiece of artistic expression. Each show is loaded with a mixture of Raheem's music catalog, an amazing band, legendary soul hits, live paintings, talented background singers, and a beautiful interactive crowd. Critics have stated that Raheem’s shows leave event goers in a ‘gimme more’ state of mind. The visual creator for Raheem Devaughn, Deemont Peekaso paints the vibes on stage to canvas, which are auctioned off following each performance. The background singers Steve Smith and Bilal Salaam, the latter who is in group, the Crossrhodes with Raheem Devaughn and DMV notable W. Ellington Felton bring contrasting singing styles that blend well with Raheem’s vocals. Raheem’s band, the Loveaholics, complement his style and add a musicality to each show and performance. In addition, Raheem interacts with his crowd and fellow performing artists on a higher level than current R&B and soul stars, he creates an experience that fans and peers alike will remember for a life time. Raheem points out, “I wanna give you your money’s worth...I genuinely enjoy performing and getting on stage…It’s the ultimate high for me…A lot of times a show is not the same, and a lot of things that go down at that moment are improvisational.” The passion Raheem brings as a performer is a breath of fresh air, and with every performance, it is hand crafted to ensure that each member of the crowd fully enjoys the time they sacrificed to take part in the Raheem Devaughn experience.

Love Behind the Melody

Love Behind the Melody features guests such as Floetry and Big Boi of Outkast, however like The Love Experience; Raheem is the star of his own album and commands the listener’s undivided attention from start to finish. Love Behind the Melody’s first single “Woman” is a tribute to all women, similar to “You” off of The Love Experience. The track has been heating up radio stations nationwide and getting tremendous attention in the DMV area. Noting the subject matter of “Woman” a perfect song for limited edition release would be a duet with Angie Stone, who penned the song “Brotha,” a tribute track for all the good men in the world (just a thought *wink).

Love Behind the Melody is 17 songs deep with an array of contemporary R&B hits, mellow down tempo neo-soul, and classic soul ballads. Stand out tracks are “Customer” a metaphorical song that has Raheem singing from the point of view of a love waiter. Think R.Kelly “Ignition” or Trey Songz “Grub On.” A crowd favorite of the ladies is “Marathon” a song where Raheem goes into depth about how when he gets a break from work he enjoys a length session of romance, the track may also be blamed for some unexpected child births in late 2008. But not all the tracks are geared strictly towards women, brothers can enjoy the perspective that Raheem employs on tracks such as “Cocaine Dreams," which has an old school Curtis Mayfield vibe to it. In addition the upbeat "Energy" will keep brothers moving and grooving with their ladies because of the song’s funky bass and catchy lyrics. Each track on the album has a unique value to it and will be enjoyed for its timeless feel. Raheem has crafted a remarkable second album which will be well received by his diehard fans as well as those who will give him a try after reading this article. So until the Love Behind the Melody can reach you, let the Love Experience keep you warm through these winter months.

Drink of the Month!


Drink of the Month: GANG RELATED

Who’s the best male black actor to hit the movie screens? I have five answers for you…DENZEL, DENZEL, DENZEL, DENZEL, and DENZEL!! His performance in the recently released box office hit “American Gangster” was BANGing (no pun intended). Even though it wasn’t his or the movie producers’ intention they made gang banging, making easy money, and the fast life look about exciting as a nudist pajama party at the playboy mansion. Ok, maybe I’m embellishing a little bit, but if you seen the movie you get my point. Unfortunately, not all of us are fit for the gang banging route. Sorry to burst bubbles. But if you still got a night light in your room, maybe the gangster life isn’t for you. If you’re upset on the bursar line cause your financial aid and TAP ain’t go through, maybe the gangster life isn’t for you. If the biggest problem in your neighborhood is litter, maybe the gangster life isn’t for you. If you call where you live at your neighborhood and not your hood, maybe just maybe….the gangster life isn’t for you. You see where I’m going with this? Don’t get me wrong, I’m not an advocator for the gangster life, I’m just trying to put things in perspective. However, don’t despair ‘cause help is on the way. For those of you that want a TASTE of the gangster life here’s what you do: Get yourself a Gang Related, one of the newest drinks to hit the STREETS. Drink two of these and I promise you’ll wake up in a chalk outline the next morning with your picture on a milk carton. Now, I ain’t no snitch but here’s how you make one:

2 oz of Alize Red Passion

2 oz of Hpnotiq

2 oz of Hennessy

What you do is pour all 3 ingredients into a highball glass filled with ice. For the best taste, you add the Henny first, then you pour the Alize and Hpnotiq. Stir it up, and call the police. I highly recommend this drink. It will make you miss your stop on the train and wake up in a whole different borough.

These are the words of a certified alcoholic…

Yours truly,

Carl Samuels

DJ SPYNFO IS READY!


Words Tewauna Shante

A big conglomerate is what we can call him. Some DJ’s are just nice on the reggae tip. Some are nice on just a Hip-Hop tip. When you have a DJ that can play Fall Out Boy in a Hofstra USA party on a Friday night, you know you have something special on your hands. His love for music has always been evident but he surfaced as a more-than-serious college DJ about ’99, 2000. A millennium DJ; maybe, the DJ of the millennium. Wouldn’t go that far? Honestly it doesn’t matter what you think. After all, this isn’t a scene; this is an arms race. Rival DJ’s get your black suits up…

UH- We’re gonna start this off kinda like the movie; When did you fall in love with Hip Hop?

DJ Spynfo- I was surrounded by a lot of different genres of music. I was brought up here, my father is from Honduras, and my mother is from Jamaica. I started loving Hip-Hop in the mid nineties. I’m the youngest of nine siblings: four brothers, four sisters. They always had that Mary J playing, that Busta Rhymes playing, a little Biggie here and there or whatever. I used to sit and listen in the living room. Sisters used to play the SWV, stuff like that. That’s where I caught on.

UH- When did you start DJ’ing?

DJ- Basically my last year in high school I bought turn tables but never used them. I really began in about 2000 at St. Johns University. I was lucky enough to have a room right next to the elevator so when people moved in, they would see my equipment set up and see me spinning and wonder who I was. Various organizations heard about me and came to me and had me do their events. The Pan- African organization is the biggest organization over here at St. Johns asked me to cover a few of their events. They had me do their Open-Mic and things like that and I did well. I moved on to parties and fashion shows, and that’s where I basically got my start at St. Johns.

UH- So let me ask you this, when did it really start to escalate for you? When did people really begin to know who DJ Spynfo was?

DJ- I started to build a name for myself in 2001, but in 2002 I started DJ’ing at a place in Queens called Georgetown. I began DJ’ing there on Thursday nights. Every party I did there I thought it was gonna flop. Man, I didn’t have any thing UV coated. I was running around campus with yellow paper flyers, we had no official nothing. No budget for anything. Just the paper flyers. My quote was “Spynfo Done Did It Again!” That’s how I got people acclimated to my name. They would see the flyers on the floor and they’d read it like, “Oh, that’s a Spynfo flyer. Lemme check that out, see what that’s about.” Ladies were like seven dollars, guys were ten ‘til midnight. Spot held about 175 people. Shit, I was pulling about 400 people in there every Thursday. The owner then moved me to Friday where my crowd was consistent. People were coming out on rainy days, ten degrees outside. That’s when I started building my name. I mean, 2001 was cool but it didn’t really start to get crazy for me until like 2003. It really picked up because I was networking with a lot of club promoters and a lot of organizations outside of St. Johns. Man, you name it. Like I said, pageants, fashion shows, parties, even outdoor events: Alpha barbecues, Kappa events, things like that. I have to give it up to Empire though. Without those guys, I don’t know where Spynfo would be. Honestly.

UH- I want you to speak on two relationships: One, DJ Spider, two, Suede. How did that happen?

DJ- Spider is somebody I will always look up to. He’s been in the game for a minute. I wouldn’t say I model myself after him but I definitely learned a lot from him. He was always there to give me support and be like, “Spyn, you gotta think. You gotta pay attention because there are a lot of snakes in the business.” He was always there to give good advice like what I should and shouldn’t do. He’s definitely a great DJ. I had been rockin’ with him for a minute. That’s my brother right there. Basically my brother from another mother right there. He’s definitely talented and I definitely stole some things—

UH- Hey listen, a wise man once told me “Any good idea is worth stealing.”

DJ- Yeah, yeah. the guy definitely has talent. Has a lot of energy, keeps the crowd moving. And I mean, before I even met him I saw our styles were similar. He and I were similar on the Hip-Hop level. He was more advanced when it came to reggae, but as far as Hip-Hop, we both weren’t scared to dig way back in the crates. You know me man; I ain’t scared to play something from the eighties. I’ll play Michael Jackson quick! I’ll have everybody singing Rock With You like it’s a new song! And Spider is the same way. We clicked immediately.

We DJ’d for the first time together really in a lounge called Destiny Lounge. We’ve done it together before but that was the first time we really noticed we had chemistry together. He would be like “Damn you nice on the mic!” I would be like, “Damn, you nice on the boards!” After a year of that, we came up with the name College Club Kings. I actually came up with the name . That was the Facebook vs. MySpace era. That was in Amazura. Spider was always on my back about not being just a great DJ, but marketing yourself. Being a great DJ is always essential but there are a lot of bum DJ’s out there that don’t know how to market themselves. And there are bum DJ’s that can market the hell out of themselves. I mean I was already good. Not to be cocky or nothing but lets face it, that’s why you’re here interviewing me. You have to make people believe you are more than you actually are. I’ve got to be the best. I’m not trying to be the prince, I’m not trying to be the queen; I wanna be the King. That’s how Spider and I got started. Me and Suede? Well, you know Step Correct had been going on for a while, and in 2004, you know his DJ was I think DJ Psycho or something like that-

UH- He was a Sigma, I believe…

DJ- Yeah. I didn’t think there was anything wrong with the way he DJ’d, I just felt like he could have used a little more energy. At Roseland, it was hot and I felt he wasn’t playing the right songs at the right times. And I didn’t know Suede from a hole in the wall. I basically stole his number! I called a producer that was on the flyer. This is hustle right here; this is grinding: I called up a number that I saw on the flyer and I was like, “yeah this is Spynfo,”—making believe I was somebody already—“I lost Suede’s cell number. Do you have it?” I got it and called Suede out the blue like I had been doing this for a while. I been holding down St. Johns and Hofstra for a minute, so forth and so on. I didn’t come off cocky or anything. I basically came off as a cool dude. He was like he was gonna give me a chance and we just spoke. I caught up again with him about a year later and he was like, “Yo, come to Maryland with me.” He was a stranger to me and I was a stranger to him, but I was just going out there for the exposure. We were in the car and I didn’t even know his real name, nor did he know mine. I was Spynfo to him and he was Suede to me. We didn’t know each others age or nothing. We ain’t know shit. He just knew I was a DJ. After the event in Maryland, he was like, “I ain’t even gonna front, that was like one of my top five! That was one of the top five DJ-Host performances.” And you know Suede. He ain’t gonna bullshit. So if he was saying that to me, I was like wow. He had no idea of my energy. We had no idea of our chemistry. He had no clue I was gonna be that involved with the crowd. I would stop him like, “Hold up! Let’s get the ladies involved!” Then it was, “Yo Suede, Yo Suede, where the fellas’ at?!?” People were really feeling my talking. At the end of the night, they were like, “yo who’s that?” And I can’t even front. That was one of the best shows I’ve ever done in my life. That was like 2004, 2005 maybe and after that he was like “aw man, you my DJ!” I waited like another six months to a year and he called me up to go to Alabama with him. He put me in a hotel and all. I killed out there and that is what put me on to Step Correct. He hit me up about a month or two before the show and I was like, “yeah, I’m down.” I think it was a good show, but I think I could’ve done better. I mean it was New Years day and let’s just say the night before I wasn’t in the house asleep. So for me to be up the next morning and standing, DJ’ing from 5 to 5 was kinda hard. I can’t even front. I was worn out, that was a struggle right there. So as of right now, Suede and I are working together on this college radio show Live From The Yard. Basically me, him and a producer Chris from Sirius Satellite Radio. I’m the official DJ for the show and we’re already at Albany, Syracuse, LIU Brooklyn campus, Hampton, and a few more.

UH- What is your ultimate goal as for being a DJ?

DJ- I guess my own radio show. I can see myself fitting in somewhere like Power 105, or Hot 97. I know it’s going to take a little while but I’m patient. I mean, I’m rewriting my bio every week and I’m pushing towards it. I’ve got a press kit and everything. I’m taking a whole new angle. My website: DJSpynfo.net. Make sure you put that in there.

UH- What would you tell someone that is probably in high school right now wanting to make the same moves and leave the same trail in becoming a world known DJ?

DJ- Surround yourself with good people, keep your vision clear and if it don’t make money, it don’t make sense.

Wednesday, October 31, 2007

DRINK OF THE MONTH: BLUE ROCKSTAR


Drink of the Month: Blue Rockstar

Since there’s no more loyalty to Hip Hop, everyone is jumping on to this “Rockstar” bandwagon. That’s cool with us—either way; we still want you all to drink with us. But understand most Rockstars didn’t really drink alcohol; they did drugs. Since we in no way, shape or form promote drug use, we came up with something the closest to it.

This drink is for those who love other planets. Those who want to live on the moon or the edge of life. Drink, enjoy and don’t call us asking for Tylenol in the morning.

1 oz Hpnotiq® liqueur
1 oz Absolut® vanilla vodka
.5 oz Devil Springs vodka

1 oz Guava Rockstar

1 splash Sprite® soda

Combine the Hpnotiq liqueur and Absolut Vanilla vodka over ice in a chilled cocktail glass. Top with Sprite and serve.

Please, drink responsibly. That means you too!

“The Best in College. Expect it and Respect it.”

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Iron Mic Presents: HIPHOP HOMECOMING


HIPHOP HOMECOMING

WORDS KENJI “MOVIESTAR K”

College campuses are buzzing right now with, homecomings; probates; football season; and all the other exciting events. Celebrate the homecoming season by coming home to Hip Hop. The following songs should be a treat even on the 31st.

1) Lupe Fiasco - Dumb it Down
Talk about an impeccable flow with intelligent subject matter. The first verse is about blinded fans looking instead of listening. So instead of dumbing down his lyrics to double his dollars (I had to say it!) Lupe is going above the clouds in respect to his art. Lupe raised the bar on this track while introducing new styles that should keep the average rap fan listening. Also peep the ‘Matrix’ theme that is an undertone of this track. I really don’t want to give anymore of this song away so I will shut up for now.
Featured on: The Cool (Early 2008)

2)Kanye West- Big Brother
Praise for Hov or a declaration of war? Just playing, this track is definitely homage to one of the greatest emcees of all time. Kanye put a lot into constructing his verses on this track as evident in the line, “An idol in my eyes; God in the game; heart of the city; Rocafella chain; never be the same; never be another; number one Young Hov; also my big brother.” For the record Kanye did not produce this track; DJ Toomp killed this one behind the boards.
Featured on: Graduation (2007)

3) Louis Logic- Mean Streak
Once touted the next Eminem but not because of his skin color, Louis Logic has had a journey to find himself as an artist. Fans are not upset at the journey but Logic has gone from a witty battle rapper to an introspective emcee and now with this track I think he has found an acceptable median. His flow has always been mean and vicious but this track is rude in a good way. Best line of the song, “Oh what a joy to employ such wickedness to trick the listeners in to shaking their hips to this, little do they know that the pros flows infamous for sending all the bros at the show home womanless.” Specifically it was Logic’s skills that earned him Eminem comparisons.
Featured on: Unreleased (2008)

4) Panacea-One Shine
Panacea pronounced Pan-a-see-a is a Hip Hop duo of emcee Raw Poetic and producer K-Murdock. The group is part of the larger collective, RPM (Restoring Poetry in Music). Panacea is signed to the resurrected Rawkus Records and has slept-on producer K-Murdock crafting soulful records while Raw Poetic crafts quotable such as, “Love story for the black and the poor, make a track to the promise land for those we ignore, fu%k a settlement we thought to put a score on the board because the blaxploitation wasn’t working no more.” Underground Hip Hop is coming to the surface once again and this duo is in the spotlight right now ready to release their next album The Scenic Route.
Featured on: The Scenic Route (2007)

5) Wale-Lets Ride feat. Daniel Merriweather
“I went to school with the white boys so I could understand the plight for ‘em but I don’t mean to fit to fight for ‘em. I ran the street with street n*ggas so I could understand police victims but that don’t mean I fit to speak for ‘em.” Wale pronounced (Wa-lay) is an emerging artist from the nation’s capital, poised to become a household name the same way Lupe Fiasco has done, through engaging lyrics and alternative flows. Wale has become UK mega producer Mark Ronson’s protégé for good reason, so let this song be your introduction to DC’s own, Wale.
Featured on: 100 Miles and Running (2007)

-Kenji “Moviestar K” Summers

UNIVERSITY HUSTLE MAGAZINE
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SWAG: American Gangster


SWAG: American Gangster

Paul Johnson Jr.

Loafers, Vest’s and DENIM? YES!

They’re back like 1960-something. As we all know retro is the future, kind of cliché right? But this is the new thing and most of all its unisex! For her, you’re sexy in cute, petite jeans and loafers but now once you add the vest—that flat stomach you’ve been crunching all summer is now shown in the winter. Low-cut skinny jeans over your Gucci Loafers and under your bra-less vest is very sexy.

For him, many have conformed to the jeans-and-blazer look over the past two years but let’s remove the sleeves for a sec’. Keep your shirt and tie buttoned to the brim; add the vest and your loafers. Let your antique denim fall eloquently over your shoes and see what you come up with. You’ll thank us later. If you still feel weird without a blazer, throw it on over the vest. You can’t lose!

Keep on the Look Out For: Wingtip Shoes and Mink Coats. Don’t say we didn’t warn you! Frank Lucas will have our heads!

UNIVERSITY HUSTLE MAGAZINE
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Top 5 College DJs in New York City


Top 5 New York College DJ’s

College parties have been around for years. Even Dr. King himself attended a few Ice Cold jams back in his college day. It’s one thing to go to a party; it’s another to host it. To have that pressure on your shoulders of keeping the crowd rockin’, jammin’ to what’s pumping through those speakers is a hell of a task.

Hip Hop stems from two main components: The Emcee and the Disc Jockey. As our nation—Hip Hop Nation—grows, the party aspect has become more important than it has ever been. People use parties for promotion, marketing, ability showcase, etc. Promoters have made livings off key DJ’s and themes. Every theme you can think of has been thought of already: Foam parties, costume parties, grown and sexy parties, color-coordinated parties, toga parties, you name it—it’s been thrown.

History virtually repeats itself. One thing that does change, however, is the actual DJ. There are still some DJ’s that still do it however like Red Alert, DJ Mister Cee, Funk Master Flex and DJ Hollywood. Huh? Yes, I said it—DJ Hollywood! (Do your research young fella…) Now that Hip Hop is evolving, new waves of Disc Jockeys are upon us. The props’ prerequisites remain the same: “If your whack- stay off the tables.”

The equipment has been upgraded but if you don’t know the fundamentals of DJ’ing, you won’t understand its’ evolution. Hip Hop is still number one in any genre’s competitive nature. The best spinner will spin. The best player will play. Simple as that. Just like there are sucka emcees out there, there are sucka DJ’s. DJ’s aren’t just born, they’re made. Time and effort is put into spinning and scratching, keeping the crowd involved, updating your library, marketing yourself, etc. It doesn’t come over night. Hip Hop wasn’t built in a day.

The bottom line is: Can you cold rock a party?!

Here’s our top five college DJ’s in the New York area. If you’re not on this list, either drop us a line or tighten up your shit!

Judging criteria: Ratings 1 though 5.

Range of Music: We love the old school. Without it, we would be nothing. But understand artists don’t keep making music so we can still bump old shit. How updated is your library?

Music Exclusives: Mix tapes and new songs are leaked everyday. Are you a true music fiend? Do you live on allhiphop.com for the latest news and features? Can we come to your party and hear something we’ve never heard before? Were you bumping the Aunt Jackie in ’01?

Crowd Participation: Can you go through an old school segment of the party and cut the music when everybody’s favorite part of the song comes on and the whole crowd sings it acapella? Did you try it before and nobody knew it?

Crowd Motivation: Mixing and scratching is still strong in Hip Hop. Do you play one song and give a hint of your next joint and hear the crowd go “AAAAAAWWWWWWWWWW” because they’ve been waiting for it the whole night and you tease them with a bit of the hook?

Marketability: Are you everywhere? Are you booked for the next six months? Gigs for at least every Thursday, Friday and Saturday night in different schools or night spots? Do you have a portfolio online and on hand? Does your demo and business cards have specific spots in every single pair of pants you have?

1. DJ Spider, The Godfather

Many of the other DJ’s across NYC refer to DJ Spider as the Godfather, their uncle. He’s the most experienced of all and it shows. Keep spinning.

Range of Music 5

Music Exclusives 4.5

Crowd Participation 5

Crowd Motivation 5

Marketability 4.5

Total 4.8

2. DJ Spynfo, The Next in Line

This man is everywhere. Four-out-of-five college parties, DJ Spynfo is usually on the ones and twos.

Range of Music 4

Music Exclusives 4

Crowd Participation 5

Crowd Motivation 5

Marketability 5

Total 4.6

3. DJ Self, The Prince of New York

The name isn’t as popular among the college ranks as the others but he’s been doing this since ’96. Yeah, he gets his Reasonable Doubt on…

Range of Music 4.5

Music Exclusives 4.5

Crowd Participation 4.5

Crowd Motivation 4

Marketability 5

Total 4.5

4. DJ Nasty, The Tri-State Great (New Jersey)

Not too major in New York, but is the King of Jersey. He even dubbed himself, “The Tri-State Great.” With confidence comes great power and with great power comes great responsibility. We’ll see over time how he steps up.

Range of Music 4

Music Exclusives 3

Crowd Participation 4

Crowd Motivation 3.5

Marketability 5

Total 4.3

5. DJ Lennox, The Hustler

As hood as they come but that’s where Hip Hop came from. The streets. This DJ promotes himself by wearing his own clothes with his name on them.

Range of Music 4.5

Music Exclusives 4

Crowd Participation 4

Crowd Motivation 4

Marketability 4

Total 4.1

Honorable Mentions

DJ Sho, DJ Scoota, DJ Zeke, DJ Monumental, DJ G$Money

They Shoulda Never...


THEY SHOULDA NEVER GAVE YALL NIGGAS MONEY!

Words: Streetz “The Living Legend”

…So the other day I was flippin the channel and I came across the BET “We Gotta Do Better Awards(also known as the Hip hop awards). It was once again (minus the freestyle) another ghetto whack affair that makes the hip hop culture and our race look WEAK! Now that I got that out, last week was crazy as T.I became the latest black celebrity to get bagged. This time for buying machine guns… not 45’s, not 9mm’s, MACHINE GUNS!! Now that he had priors, he could face 20-30 years in jail or more. These series of events over the last few weeks leads me to one conclusion: We as a race cannot leave the ‘hood’ elements behind, no matter what type of status we obtained.

Disagree? What about Michael Vick? His career was all but set in stone, he was the toast of ATL, had endorsements for YEARS, and threw it all away to fight dogs in his crib… OJ, who got away with murder once, fcuks around and runs up on cats with his memorabilia that he didn’t own anymore…all to that _______<++insert any rappers name here, who constantly gets bagged for having marijuana on them, in their car, a random pistol, etc etc etc. What’s REALLY good?

I wonder if it is just publicity stunts at first, to keep up a certain “street cred” image with the public to sell what some of these rappers say in their lyrics, then I hear quite possibly the MOST gangsta rapper out (Styles P) say he NEVER wants to go back to jail. If he’s saying it, then I know it truly isn’t “cool to be locked up”. Some cats, like Akon, made a career over incarceration, but is it REALLY worth it? I bet if you ask him jail is the last thing he wants to see. Is it even the fact that a lot of these dudes got famous early and never broke out of their bad habits? Maybe they think they will never get caught? I don’t care what you say, for a dude like T.I.P., who has a movie coming out with Denzel, Records going platinum, and nothing but opportunity ahead, to risk throwing all of that away just to stack an arsenal that would make them Columbine kids blush, is STUPID period.

I’ve never claimed to be a gangsta or had a crazy rough life, however I still remember the drug dealers and such telling us to stay in school, because their life isn’t for us. I still remember them same cats talking about “making it” and giving that life up. Some weren’t fortunate to see the next day. Others grew out of that life and were able to get a legal hustle poppin. So if you are so hood, and you got OUT, why do the things that you know will put you back to square one? Why throw away the result of the grind to lean on the EXCUSE of being a product of your environment? The same dudes who call you a G and say you are Keeping It Real are the SAME dudes who will have taken your place while you sit in jail, wondering What if?

Whether they like it or not, these men are role models to our youth. To the kids without dads. To the kids with a full family. To the neighborhood hustler and the around the way dozier. We all root for you when you come out our hoods and make it. Some of us will hate on you openly, but still respect you for giving us hope of a brighter future. I won’t make the same asinine argument some people say that blames “Hip Hop Culture” for this decline in behavior amongst blacks. There have been art forms and artists who have gone against the grain for centuries. They inspire creativity and invoke a feeling of encouragement in youth. Nothing wrong with that. However it does start with family. It continues with education. It ends with common sense. T.I. Hold your head, and straighten it out once you are freed. Remember who you represent and remember the bigger picture. We all need to be our brothers’ keeper. Our sisters’ keeper. We got to do better yall.

"Every famous nigga that get arrested is not Nelson Mandela"

-Huey from "Boondocks"

Streetz

UNIVERSITY HUSTLE MAGAZINE
"The Best in College. Expect it and Respect it."

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Let’s Praise Our HBCU Celebrity Graduates: Jesus of the Playground


Let’s Remember Our HBCU Grads: Earl Monroe

“Jesus of the Playground”

Vernon Earl Monroe (born on November 21, 1944, in Philadelphia, Pennsylvania) is an American former professional basketball player known for his flamboyant dribbling, passing and play-making. His nicknames included both "Earl the Pearl" and his Philadelphia nickname, "Black Jesus".

From early age, Monroe was a playground legend. His high school teammates at John Bartram High School called him "Thomas Edison" because of the many moves he invented.

Monroe rose to prominence at the Division II level playing basketball at Winston-Salem State University, located in Winston-Salem, North Carolina. Under the coaching of Hall of Fame coach Clarence "Big House" Gaines, Monroe averaged 7.1 points his freshman year, 23.2 points as a sophomore, 29.8 points as a junior and 41.5 points his senior year. In 1967, he earned NCAA College Division Player of the Year honors and led the Rams to the NCAA College Division Championship.

Earl is a member of the Groove Phi Groove, SFI.

In 1967, the two-time All-American was drafted by the Baltimore Bullets (now the Washington Wizards) in the first round of the NBA draft (2nd overall pick). He won the NBA Rookie of the Year Award in a season in which he averaged 24.3 points per game, and scored 56 points in a game against the Los Angeles Lakers.

In 1971, Monroe was traded to the New York Knicks and formed a celebrity backcourt with equally flamboyant Walt Frazier. The duo meshed together to form one of the most deadly guard combinations of all time, featuring two Hall of Famers and NBA 50th Anniversary Team members. With Monroe, the Knicks won the 1973 NBA championship.

“You know, my favorite player of all time was Earl Monroe. He was the truth, son! The way he used to come down, spin move, dish… I’m not talking about when he was with Bullets. The Knicks, they put shackles on him. I’m talking about in North Philadelphia. They called him Jesus. Then the white media got a hold of him and they started calling him Black Jesus. But that’s the real reason you got your name, son. Not Jesus in the Bible, Jesus of the Playgrounds…”

UNIVERSITY HUSTLE MAGAZINE
"The Best in College. Expect it and Respect it."

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www.UNIVERSITYHUSTLE.blogspot.com
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